At Stable Records the sound is built on a blend of analog character and digital precision. I choose equipment that works for full-band tracking but still delivers the detail you want on vocals or acoustic instruments. The studio combines classic microphones for drums, vocals and guitar amps with reliable preamps and converters that keep the recording open and dynamic. That makes it easy to capture aggressive rock tones as well as more delicate acoustic parts without losing clarity.
For recording I rely on proven microphones from Neumann, AKG, Shure and Sennheiser. Each one has a specific role: some highlight the natural tone of a voice, others handle loud guitar cabinets or kick drums without breaking up. Large-diaphragm condensers are my go-to for vocals and acoustic instruments, while dynamic and small-diaphragm mics help shape drums and amps. With a wide mic palette we can pick the exact color that fits your band.
The studio core is Universal Audio preamps and converters. They bring depth to the low end while keeping transients and detail intact. For character, there are tube preamps and classic compressors that add musical saturation when it is needed. Monitoring is set up with multiple headphone mixes, so each player hears what they need without slowing down the session. That keeps takes focused and reduces unnecessary re-dos.
Guitarists can choose between traditional amps and cabinets or modern modelers with impulse response libraries. This makes it fast to audition different sounds without a long setup. Bass can be tracked through DI, an amp, or a combination of both depending on the arrangement. The goal is to get a tone that already fits the mix, instead of trying to fix it later.
In the mix I use SSL, Universal Audio and Slate Digital plugins, supported by iZotope tools for precise cleanup and finishing. This helps tighten the drums, smooth vocals and keep the low end controlled. Mastering is prepared so the song translates on Spotify, in the car and on stage systems. Equipment is just the tool — the final result is always the priority.
If you are curious about a specific piece of gear or want to record with a particular microphone, let me know. I can recommend what will work best for your style. The list is updated regularly based on what performs best in real sessions, so it keeps growing along with the needs of the bands that record here.
Manufacturer | Type | Description |
|---|---|---|
| Neumann | TLM 103 | Legendary microphone – mainly used for vocals, but excellent on acoustics or as a room mic for drums. |
| Townsend/Universal audio | Sphere L22 | An incredible large-diaphragm microphone. The dual capsule design allows both mono and stereo use. Unbeaten on vocals, acoustic guitar or as a drum room mic. More info here. |
| Shure | SM57 | A classic among dynamic microphones. I use it on guitar amps, snare or hi-hat. |
| Shure | SM58 | Classic dynamic vocal microphone. |
| AKG | C414 | Large-diaphragm condenser microphone. Great on vocals, acoustic guitar or drums. |
| AKG | C451 | Small-diaphragm condenser. I use it on snare, hi-hat or acoustic guitar. |
| Sennheiser | MD421 | Dynamic microphone. I use it on toms or guitar amps. |
| Sennheiser | MD441 | Dynamic microphone. I use it on vocals or guitar amps. |
| AKG | D112 | Dynamic kick drum microphone. |
| Warm Audio | WA-84 pair | In my opinion the perfect clone of the Neumann pencil mics. Top choice for acoustic guitar or overheads. |
| sE Electronics | V Kick | Dynamic kick drum microphone. |
Manufacturer | Type | Description |
|---|---|---|
| Universal audio | 2x Apollo 8x | The heart of the studio – audio interface with outstanding preamps and converters. |
| Universal audio | Apollo Twin | Monitor control plus two additional UAD preamps. |
| Warm audio | WA273 | Excellent clone of the legendary Neve 1073 by Warm Audio. |
| ART | TPSII | 2-channel tube preamp. |
| WarmAudio | WA-2A | Hardware optical compressor by Warm Audio. |
| Focusrite | Liquid saffire 56 | Previously the main audio interface, now used as an 8-channel ADAT converter. |
| Behringer | Powerplay HA4000 | 4-channel headphone amplifier. A total of 7 headphone mixes are available. |
Manufacturer | Type | Description |
|---|---|---|
| Line 6 | Helix | Amp modeller with a full impulse response library. |
| Salvation Audio | MatchVox | Preamp inspired by Matchless and VOX. |
| Salvation Audio | Rhoadie | Classic plexi-style amp head. |
| Orange | 2×12 cabinet | Loaded with two Celestion Vintage 30 speakers. |
| Coffee audio | Mocha 112 | https://coffee-audio.com/mocha-112/ |
| Fender | Deluxe Reverb 68 | Classic silverface combo. |
| OldStep | Mesa Boogie Lone Star clone | https://oldstep.cz/ |
Manufacturer | Type | Description |
|---|---|---|
| Apple | Logic Pro X | The heart of the studio – Apple's DAW. |
| Universal Audio | 1176LN Limiting Amplifier | Popular compressor used on drums and vocals. |
| Universal Audio | LA-2A Leveling Amplifier | Optical compressor ideal for vocals. |
| Universal Audio | Pultec EQP-1A | Passive equalizer known for its musical coloration. |
| Universal Audio | Teletronix LA-2A | Another version of the optical compressor. |
| Universal Audio | dbx 160 | VCA compressor suited for instruments with high transient content. |
| Universal Audio | Shadow Hills Mastering Compressor | Combines optical and VCA compression for mastering. |
| Universal Audio | EMT 140 Classic Plate Reverb | Reverb with the characteristic plate sound. |
| Universal Audio | Fairchild Tube Limiter Collection | Vintage compressors used by The Beatles and Pink Floyd. |
| Universal Audio | Galaxy Tape Echo | Emulation of the Roland RE-201 tape delay/spring reverb unit. |
| Slate Digital | FG-X Mastering Processor | Mastering processor. |
| Slate Digital | Virtual Mix Rack | Modular mixing rack. |
| Slate Digital | Virtual Tape Machines | Tape machine emulation. |
| Slate Digital | VerbSuite Classics | Reverb plugin. |
| Slate Digital | Repeater | Delay plugin. |
| Slate Digital | Fresh Air | Enhancer plugin. |
| Slate Digital | Virtual Buss Compressors | Set of buss compressors. |
| Slate Digital | FG-2A | Optical compressor. |
| Slate Digital | Custom Opto | Optical compressor. |
| Slate Digital | FG-Stress | Empirical Labs Distressor emulation. |
| Slate Digital | Infinity EQ | Equalizer. |
| iZotope | Maximizer | Limiter. |
| iZotope | Equalizer | Equalizer. |
| iZotope | Dynamic EQ | Dynamic equalizer. |
| iZotope | Vintage Limiter | Vintage limiter. |
| iZotope | Exciter | Harmonic exciter. |
| iZotope | Imager | Stereo imager. |
| iZotope | Master Rebalance | Mix adjustment tool. |
| iZotope | Low End Focus | Low-frequency shaping tool. |
| iZotope | Vocal Assistant | Vocal processing assistant. |
| iZotope | Pitch Editor | Pitch editing. |
| iZotope | Breath Control | Breath noise control. |
| iZotope | Harmony | Harmonizer. |
| iZotope | Dimension | Spatial widening. |
| iZotope | De-Esser | Sibilance removal. |
| iZotope | Saturation | Saturation. |
| iZotope | Reverb | Reverb. |
| iZotope | Delay | Delay. |
| iZotope | Gate | Gate. |
| SSL | SSL Native Channel Strip | Channel strip emulation. |
| SSL | SSL Native Bus Compressor | Bus compressor. |
| SSL | SSL Native X-EQ 2 | Equalizer. |
| SSL | SSL Native X-Comp | Compressor. |
| SSL | SSL Native X-ValveComp | Valve compressor. |
| SSL | SSL Native X-Saturator | Saturator. |